 In the temple architecture of India, the
Khajuraho complex remains unique. One thousand years ago, under the generous and artistic
patronage of the Chandela Rajput kings of Central India, 85 temples, magnificent in form
and richly carved, came up on one site, near the village of Khajuraho. The amazingly short
span of 100 years, from 950 AD - 1050 AD, saw the completion of all the temples, in an
inspired burst of creativity. Today, of the original 85, only 22 have survived the ravages
of time; these remain as a collective paean to life, to joy and to creativity; to the
ultimate fusion of man with his creator. Why did the Chandelas choose Khajuraho or Khajirvahila - garden of dates, as it
was known then - as the site for their stupendous creations ? Even in those days it was no
more than a small village. It is possible given the eclectic  patronage of the
Chandelas and the wide variety of beliefs represented in the temples, that they had the
concept of forming a seat of religion and learning at Khajuraho. It is possible that the
Chandelas were also believers in the powers of Tantrism; the cult which believes that the
gratification of earthly desires is a step closer to the attainment of the infinite. It is
certain however, that the temples represent the expression of a highly matured
civilization.
Yet another theory is that the erotica
of Khajuraho, and indeed of other temples, had a specific purpose. In those days when boys
lived in hermitages, following the Hindu law of being "brahmacharis" until they
attained manhood, the only way they could prepare themselves for the worldly role of
'householder' was through the study of these sculptures and the earthly passions they
depicted.
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