Sikar
- Nawalgarh - Dundlod - Mandawa - Fatehpur - Jhunjhunu
T he area of
Shekhawati covers several villages and towns in north eastern Rajasthan, which can be
approached from Bikaner, Jaipur, and Delhi and comprises the Sikar and Jhunjhunu
districts. Small towns dot these two districts and contain within themselves some of the
most elaborate havelis, stepwells, and temples. When you travel around this region, you
stumble across some truly marvelous treasures.
Even today, the entire region of
Shekhawati is known for its exquisite frescoes and popularly called the "open art
gallery". No other region, anywhere in the world, has such large concentration of
frescoes. This is even more interesting as the landscape here is totally bare - flat and
colourless.
Rao Shekha, the founder of Shekhawati, came to power at the young age of 12 and established a region
that lasted 43 years. His power grew steadily and he became a force to reckon with in a
very short period. The Rajput nobles who ruled over the small thikanas, or fiefdoms,
became great patrons of art and financed the frescoes on their havelies. Up to the early
19th century the themes were largely religious.
Other historical events, personages,
battle scenes, and folk heroes were also painted in great detail. These paintings were a
record of those times. By the end of the 19th century, there was a slight change
in the patronage. The business community, Marwaris, found itself in a position of
strength. When the East India Company began to make its presence felt in this part of
Rajasthan, it opened several avenues for the hardworking and enterprising Marwari. The
volume of trade increased and the Marwaris began to spread their branches all over the
country. Even after spending several years away from their homeland, these now successful
and wealthy businessmen remained true sons of the soil. While they lived austerely in
their adopted cities, they sent back huge sums of money to their families. They spent
large sums on the welfare of their community - wells, reservoirs, schools, colleges,
dharamshalas and gaushalas were financed.
Most of them had left their families
behind and they returned to build some huge mansions for them. They were in a position to
show off their new status and there was no better way of doing this than commissioning the
most intricate frescoes on their havelies. Very soon it became customary to have a painted
haveli and the artists were kept busy moving from one village to the next. The demand for
these painters kept growing and very soon unskilled painters and masons too began to get
involved in the paintings. The themes of these paintings, as mentioned earlier, reflected
those times and very soon the purely mythological them gave way to western influences.
Cars, trains, airplanes, ships, telephones, foreigners in hats, suits and gowns began to
appear on the walls with scenes from Lord Krishna's life.
Most of the villages of Shekhawat i have kept their rustic charm intact and a drive around these painted towns
can be a wonderful experience. While the painted mansions are certainly the focal point
here, don't miss the unique architectural style of the havelis. They are marvels of good
design. Several courtyards and inner chambers were designed to keep the women folk safe
and comfortable but segregated. From the outside these havelies liked like huge blocks but
were so ingeniously planned that they provided adequate protection from the harsh summers.
Other monuments to look out for are the step wells, the four-pillared wells, temples and
the dharamshalas.
Some of the important towns that should
not be missed are Sikkar - where the temples of Gopinath, Raghunath and Madan Mohan
are interesting as are the Biyani havelies with their unusual blue and white colours. Two
other important temples in the vicinity are the Harsh Nath temple and the Jeen Mata
temple. The fort of Lachmangarh is one of the most impressive and imposing in
Shekhawti. Try to get bird's eye view of the town below - it has been designed to resemble
the planned city of Jaipur. Ramgarh is famous not only for the havelis of the
Poddars but also for its rustic wood furniture. Fatehpur has some beautiful
frescoes in the Indian as well as western styles. Particularly noteworthy are the
Chamariya and Singhania havelies. Khatu Shyamji is more famous for its temple of
Shri Shyamji and draws devotees throughout the year. People walk several miles to offer
homage at the temple from all over India.
Nawalgarh is hoe to some of the
leading merchant families of the country. This is also the placed to find some of the
finest frescoes in the entire region. Look for Roop Niwas, Poddar haveli, Saat Haveli,
a few old temples, and forts and a heritage hotel. Dundlod is known for its fort
and a palace that has been turned into a heritage hotel. The Goenka havelis are also
famous. The fort of Mandawa dominates the town and it was one of the earliest
heritage hotels in this area. The Chokhani, Ladia and Saraf havelies should
be seen not only for their frescoes but also for their design. A temple dedicated to Shiva
is also worth a visit. Mukundgarh has a few interesting havelis and a sprawling
fort that has now been converted into a heritage hotel. These are just some of the
important towns of Shekhawati, but the area is so full of interesting and unusual sights
that you can stop at any small unknown village and you will find something to fascinate
you and hold your interest.
If carrying excess baggage does not
daunt you, then buy the rustic, carved wooden furniture and other items items for your
home. Quaint little wooden hings that belong to the late 19th century, or maybe the early
20th century, can be found all over this region. If pots and pans interest you then do
look out for some traditional cooking vessels in the markets. entrances to the Quila are
credited to emperor Sher Shah Suri.
|