Sikar
- Nawalgarh - Dundlod - Mandawa - Fatehpur - Jhunjhunu
T
he area of Shekhawati covers several
villages and towns in north eastern Rajasthan, which can be approached from Bikaner,
Jaipur, and Delhi and comprises the Sikar and Jhunjhunu districts. Small towns dot these
two districts and contain within themselves some of the most elaborate havelis, stepwells,
and temples. When you travel around this region, you stumble across some truly marvelous
treasures.
Even today, the entire region of Shekhawati is known for its exquisite frescoes and
popularly called the "open art gallery". No other region, anywhere in the world,
has such large concentration of frescoes. This is even more interesting as the landscape
here is totally bare - flat and colourless.
Rao Shekha, the founder of
Shekhawati, came to power at the young
age of 12 and established a region that lasted 43 years. His power grew steadily and he
became a force to reckon with in a very short period. The Rajput nobles who ruled over the
small thikanas, or fiefdoms, became great patrons of art and financed the frescoes on
their havelies. Up to the early 19th century the themes were largely religious.
Other historical events, personages, battle scenes, and folk heroes were also painted
in great detail. These paintings were a record of those times. By the end of the 19th
century, there was
a slight change in the patronage. The
business community, Marwaris, found itself in a position of strength. When the East India
Company began to make its presence felt in this part of Rajasthan, it opened several
avenues for the hardworking and enterprising Marwari. The volume of trade increased and
the Marwaris began to spread their branches all over the country. Even after spending
several years away from their homeland, these now successful and wealthy businessmen
remained true sons of the soil. While they lived austerely in their adopted cities, they
sent back huge sums of money to their families. They spent large sums on the welfare of
their community - wells, reservoirs, schools, colleges, dharamshalas and gaushalas were
financed.
Most of them had left their families behind and they returned to build some huge
mansions for them. They were in a position to show off their new status and there was no
better way of doing this than commissioning the most intricate frescoes on their havelies.
Very soon it became customary to have a painted haveli and the artists were kept busy
moving from one village to the next. The demand for these painters kept growing and very
soon unskilled painters and masons too began to get involved in the paintings. The themes
of these paintings, as mentioned earlier, reflected those times and very soon the purely
mythological them gave way to western influences. Cars, trains, airplanes, ships,
telephones, foreigners in hats, suits and gowns began to appear on the walls with scenes
from Lord Krishna's life.
Most of the villages of Shekhawat
i have kept their rustic charm intact
and a drive around these painted towns can be a wonderful experience. While the painted
mansions are certainly the focal point here, don't miss the unique architectural style of
the havelis. They are marvels of good design. Several courtyards and inner chambers were
designed to keep the women folk safe and comfortable but segregated. From the outside
these havelies liked like huge blocks but were so ingeniously planned that they provided
adequate protection from the harsh summers. Other monuments to look out for are the step
wells, the four-pillared wells, temples and the dharamshalas.
Some of the important towns that should not be missed are Sikkar - where the
temples of Gopinath, Raghunath and Madan Mohan are interesting as are the Biyani havelies
with their unusual blue and white colours. Two other important temples in the vicinity are
the Harsh Nath temple and the Jeen Mata temple. The fort of Lachmangarh is one of
the most impressive and imposing in Shekhawti. Try to get bird's eye view of the town
below - it has been designed to resemble the planned city of Jaipur. Ramgarh is
famous not only for the havelis of the Poddars but also for its rustic wood furniture. Fatehpur
has some beautiful frescoes in the Indian as well as western styles. Particularly
noteworthy are the Chamariya and Singhania havelies. Khatu Shyamji is more famous
for its temple of Shri Shyamji and draws devotees throughout the year. People walk several
miles to offer homage at the temple from all over India.
Nawalgarh is hoe to some of the leading merchant families of the country. This
is also the placed to find some of the finest frescoes in the entire region. Look for Roop
Niwas, Poddar haveli, Saat Haveli, a few old temples, and forts and a heritage hotel. Dundlod
is known for its fort and a palace that has been turned into a heritage hotel. The
Goenka havelis are also famous. The fort of Mandawa dominates the town and it was
one of the earliest heritage hotels in this area. The Chokhani, Ladia and Saraf havelies
should be seen not only for their frescoes but also for their design. A temple dedicated
to Shiva is also worth a visit. Mukundgarh has a few interesting havelis and a
sprawling fort that has now been converted into a heritage hotel. These are just some of
the important towns of Shekhawati, but the area is so full of interesting and unusual
sights that you can stop at any small unknown village and you will find something to
fascinate you and hold your interest.
If carrying excess baggage does not daunt you, then buy the rustic, carved wooden
furniture and other items items for your home. Quaint little wooden hings that belong to
the late 19th century, or maybe the early 20th century, can be found all over this region.
If pots and pans interest you then do look out for some traditional cooking vessels in the
markets. entrances to the Quila are credited to emperor Sher Shah Suri.
