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The
foundations of the City Palace Complex, Udaipur, are embedded into its
once pristine natural environment.
After
careful surveys the site was selected by Rana Udai Singh II for its
breathtaking views and natural terraces, proximity to a reliable source
of water - the Lake Pichola and the strategic advantage it offered to
the defenders of erstwhile Mewar.
The
site of the City Palace Complex is located in the historic town of
Udaipur, situated in the north-western state of Rajasthan in India
Its
geographical coordinates are 24° North Latitude 74° East Longitude and
at an average of 578 meters (1895 feet) above mean sea level
Udaipur
lies in a basin on the upper central plateau, surrounded by the hills of
Aravali among the oldest mountain ranges in the world.
With its dramatic backdrop of the lake and the hills,
the City Palace Complex provides one of the most spectacular landscapes
of India.
The City Palace Complex
represents the performance of the royal rituals that are the living
traditions since the 16th century.
The City Palace Complex
needs to be visualised as a representation of the socio-cultural energy
that has prevailed over time and still remains an integral part of the
environment inside and around it.
Mewar culture flourished
under the rule of the Sisodia Rajputs in Udaipur and several of the
earlier Mewar traditions, annual festivals, rituals and customs have
evolved, integrated and transformed in the City Palace Complex since the
sixteenth century.
A comprehensive
description of the Mewari festivals and their celebrations is presented
in the court text of Vir Vinod (Shyamaldas, 1886). Since the eighteenth
century, the court artists have depicted Udaipur in large-scale
paintings that portray the celebrations and social life of the royals.
The festivals were often
redefined on the whims and fancies of the Maharanas and show interesting
cultural integrations with Mughal and British customs as a result of the
interaction in later periods.
Architecture
Twenty four successive
Maharanas from the royal family of Mewar lived in the City Palace
Complex since the 16th century. The City Palace Museum is filled with
stories about each Maharana and his endeavours, lifestyle and
architectural achievements
Udai Singh II, Pratap Singh I, Amar Singh I, Jai Singh, Amar Singh II,
Sangram Singh, Jagat Singh II, Karan Singh, Jagat Singh I, Raj Singh I,
Ari Singh, Hameer Singh II, Bhim Singh, Jawan Singh.
This monument is an exemplary model of the Rajput palace fortress and a
masterpiece of medieval Rajput architectural grandeur in India
The palace, built in marble and granite is an incomparable example of
amorphous, asymmetrical, additive Rajput planning and of an amalgamation
of Rajput and Mughal architectural styles as seen in its stone carvings,
cupolas and projecting balconies
It has been built and added to at various times between the 16th and
20th centuries.
Despite these layers, the fortress exhibits a uniformity of design and
has been described as one of the most majestic structures in the state
of Rajasthan.
The series of palaces built by successive Maharanas as part of the two
main components, the Mardana Mahal at the northern end and the The
Zenana Mahal at the southern end function today as The City Palace
Museum.
The Mardana Mahal comprises of significant palace interiors including
the Rai Angan, the Chandra Mahal, the Kacheri Mahal, the Baadi Mahal,
the Dilkhushal Mahal and the Mor Chowk.
These palatial spaces are arranged around courtyards opening at various
levels with Baadi Mahal at the highest point located on a natural ridge
The Zenana Mahal comprises of the main courtyard called the Lakshmi
Chowk and the chambers around it. Another courtyard, the Moti Chowk
links the Mardana Mahal with the Zenana Mahal.
The common areas of both the Mardana and the The Zenana Mahal such as
the kitchen (Rasoda) and the dining area (Bhojanshala) open onto this
courtyard.
The entrance to this courtyard from the Manek Chowk on the eastern end
is marked by a magnificent gateway called the Toran Pol
The main approach to the palace is through a successive series of gates-
the two gates at the northern end, the Badi Pol followed by the triple
arched Tripoliya, which opens onto the Manek Chowk.
The development of the entire City Palace Complex is broadly categorised
in five major phases:
Phase 1 - Mewar-Mature Phase (1559-1620)
Phase 2 - Mewar-Mughal Early Phase (1620-1698)
Phase 2 - Mewar-Mughal Early Phase (1620-1698)
Phase 3 - Mewar-Mughal Mature Phase(1698 -1778)
Phase 4 - Mewar-British Phase (1778-1930)
Phase 5 - Post-independence Mewar Phase (From 1931)
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