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Basilica of Bom
Jesus :
The Bom Jesus
Basilica, perhaps Goa's most famous church and among the most revered by
Christians worldwide, is partially in ruins but still a model of
simplicity and elegance, and a fine example of Jesuit architecture.
This is the only
church in Old Goa, which is not plastered on the outside, the lime
plaster having been stripped off by a zealous Portuguese conservationist
in 1950.
Located at Old Goa, 10
kilometres east of Panaji, the Bom Jesus Basilica is a World Heritage
Monument.
The foundation stone
of this remarkably large church was laid on 24 November 1594 and the
church was consecrated by Fr. Alexia de Menezes, the Archbishop of Goa
and Primate of India consecrated it when it was completed on 15 May
1605. In 1946 it was raised to the status of a minor Basilica.
The Order of Jesuits
was suppressed in 1759 and its property confiscated by the Portuguese
State. The church was, however allowed to continue services.
This magnificent
edifice stands as a superb example of Baroque architecture in Goa. The
church is called "Bom Jesus" meaning 'good Jesus' or 'infant Jesus' to
whom it is dedicated. The façade has on it, at the top, the letters,
"HIS" which are the first three letters of Jesus in Greek.
The imposing facade
built out of black granite in an exquisite combination of the Doric,
Corinthian and composite styles, is remarkable for its simplicity. It
measures 183 ft in length,55 ft in breath, and 61 ft in height. The main
altar is 54 ft high and 30 ft broad. The pillars and detail are carved
from basalt which was brought from Bassein, some 300 kms away. The
interior of the church is built in Mosaico-Corinthian style and is
remarkable for its charming simplicity.
The roof was
originally tiled. The church is cruciform on plan. The flying buttresses
on the northern side of the church are recent additions. A single-storeyed
structure adjoining the church on its southern wing connects it with the
Professed House.
The three-storeyed
facade of the Church shows Ionic, Doric and Corinthian Orders, and has a
main entrance flanked by two smaller ones, each having Corinthian
columns supporting a pediment. There are two chapels, a main altar and a
sacristy besides a choir inside the Church itself. There is a belfry is
at the back.
As one enters, beneath
the choir, to the right is an altar of St. Anthony and to the left is an
exceedingly well-carved wooden statue of St. Francis Xavier. In the
middle of the nave on the northern wall is the cenotaph of the
benefactor of this church, Dom Jeronimo Mascarenhas, the Captain of
Cochin, who died in 1593, bequeathing the resources out of which this
church was built. The two columns supporting the choir bear slabs
inscribed in Portuguese and Latin the dates of beginning of construction
and the consecration.
Opposite the cenotaph,
projecting on the southern wall is a profusely carved wooden pulpit with
a canopy on top. The pulpit has on its three sides the figures of Jesus,
the four evangelists and four doctors of the church. The bottom of the
pulpit depicts seven figures as though supporting it.
A projecting gallery,
which was intended for the use of dignitaries on solemn occasions, runs
along the two longer sides of the Church.
The main altar at the
end of the nave is flanked by two decorated altars in the transept, one
dedicated to Our Lady of Hope and the other to St. Michael. The richly
gilded main altar has the figure of infant Jesus and above it is a large
statue of St. Ignatius Loyola, founder of the order of Jesuits, gazing
with fervour at a medallion on which is inscribed "HIS". Above the
medallion, the Holy trinity - the Father, the Son and the Holy Ghost are
depicted. In the transept on the northern side is the Chapel of the
Blessed Sacrament.
On the southern side
in the transept is a chapel with gilded twisted columns and floral
decorations of wood, where the sacred relics of the body of St. Francis
Xavier are kept. The interior of this chapel is richly adorned with
wooden carvings and paintings, depicting the scenes from the life of the
Saint.
A beautiful silver
statue is kept in front of the casket. The silver casket, which serves
as a reliquary containing the sacred relics of the body of St. Francis
Xavier, is exquisitely carved, and was once studded with precious
stones. The casket is divided on each side into seven panels, each of
which has two plates representing in relief important incidents in the
life of the saint.
Adjoining the Chapel
of St. Francis Xavier is a corridor that leads to the sacristy, entered
through an exquisitely carved wooden door. It is an oblong vaulted
structure with an apse at the end. Alongside the walls are kept the
portraits of various saints above delicately carved chest of drawers. In
the altar at the apse in an iron chest containing a golden rose blessed
by the Pope Pius XII and gifted to this city in 1953. At the foot of the
altar is the grave of the founder of the vestry, Balthazar da Veiga who
died in 1659. A painting giving a fair idea as to the state of the body
of St. Xavier about a hundred years ago is displayed near the altar.
Inside the basilica
the layout is simple but grand. A simple wooden one has now replaced the
original vaulted ceiling. To the left of the door as you enter the
basilica is a statue of St. Francis Xavier, but the visitor's attention
is drawn to the huge and ornate gilded reredos which stretches from
floor to ceiling behind the altar.
The Professed House
The Professed House of
the Jesuits located next door to the Basilica is a two storey laterite
building covered with lime plaster which actually predates the Basilica,
having been completed in 1585 despite strong opposition to the Jesuits.
Jesuit missions to the eastern regions were planed and organised from
here.
Completed in 1589
under the able supervision of Br. Domingos Fernandes, the Cassa Professa
or the "Professed House" according to Jesuit law is one which is
intended for the exercise of the ministries of the Society and should be
conspicuous for the exactness of the Jesuit way of life.
There is an extremely
interesting story behind the construction of the Church. The Jesuits
faced strong opposition from the Senate, the Santa Cassa da
Misericordiaa and the Franciscans for their planned construction in the
spacious square called Terreiro dos Gallos. However on the night
preceding the day on which they were to be legally restrained from
building the site, two fathers and one brother converted a small house
into a temporary church and on its door inscribed the word 'JESUS'.
The next morning the
Church was thrown open and a bell rang to call the surprised people from
the neighbourhood to celebrate mass. After that the opponents were never
able to dislodge the occupants.
The ravages of time
and the raging flames of the great fire in 1663 destroyed some of its
lengthy corridors and spacious apartments but it was rebuilt in 1783.
One more storey on the top was demolished between 1886 and 1887.
Today there's a modern
art gallery attached to the Basilica.
See Also Other
Churches:
(
Churches of Goa |
Old Goa
Heritage Site |
St Francis of Assissi
Church | Bom Jesus Basilica |
Reis Magos Church |
Church of Our Lady of Rosary
| Santana Church |
Sé Cathedral |
St Augustine Tower |
Church of St Cajetan |
Church of St Paul |
Church of Mary Immaculate Conception )

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